Taking into context the experiences of African history in his book, Achebe highlights the significant impact of European colonialism and examines the inability of people to adapt to these changes and eventually lead to their downfall. The piece is written in a straightforward and objective manner to enable readers to piece together familiarity and get a glimpse of the realities that Africans face during the European colonization. One theme that stands out when reading the piece of Achebe is the apparent struggle between tradition and change.
We contend that the use of such discrete linguistic items and certain textual devices, such as repetitions and openings of chapters, are not random, but have deeper linkages with the power struggles within African cultural politics, andthat the politics of male-centric discourse as envisaged by feminist linguists Spender, Woolf, Showalter, Moi is central in shaping our gendered worldviews.
The need to articulate a distinct nationalistic identity of Africa in such postcolonial master texts led to subsuming gender difference under the more primary racial and cultural concerns of a resisting Africa from a colonizing Europe adapted from Jeyifo For emphasis on her black African background, Toni Morrison emphasized her rootedness by highlighting the social and political vision that informs her writing.
She went on to argue for maintaining a balance between the personal and the collective identities that coexist within, and finds a way of narration- an implied pronoun i. Such alternative readings of the text were carried out in the s by African researchers viewing the text as an ethnography: On one hand, white feminists, like Showalter cited in Moi,would want the literary text to yield the reader a certain security, a firm perspective from which to judge the world.
In her textual practice, Woolf exposes the way in which language refuses to be pinned down to an underlying essential meaning. According to the French philosopher Jacques Derrida cited in Moilanguage is structured as an endless deferral of meaning, and any search for an essential, stable meaning must therefore be considered metaphysical.
There is no final element, no fundamental unit, no transcendental signified that is meaningful in itself and thus escapes Sexual Textual Politics 67 the ceaseless interplay of linguistic deferral and difference. The free play of signifiers will never yield a final, unified meaning that in turn might ground and explain all the others.
Representing patriarchy through the structure of the text Achebe not only creates meaning through words but also through the order and structure of the words in the text. The issues or things he wants to highlight in the text take initial position in the structure of his novel.
Achebe orders the text in such a way as to convey the cultural importance of the African protagonist Okonkwo with the help of the linguistic structure of the text. When equated with form, a term that refers to the arrangement of material in a work, that is ordering of its component parts or the design devised by the author to convey content and meaningp.
The form and structure of the novel is not transparent, Achebe has consciously ordered his text in a way that only by reading the opening lines of the chapter do we understand the position and importance of males in the African culture. As Dale Spender argues, language is our means of classifying and ordering the world: Achebe gives Okonkwo the primary position in the novel.
Therefore, the structure of the text determines how the author views the world around him and portrays this worldview through the structure of his text.
In this paper, we trace the cultural values by deconstructing the patriarchal structure of the text. The text opens with the name of Okonkwo, the protagonist. This is the opening of an African text with a male name, i. Brown cited in Alessandaro, observes that repetition is central to the establishment of semiotic systems.
It is fundamental to the definition of all cultural objects: Repetition not only underlies semiosis, it also functions as a semiotic device.Literary Analysis Essay of Chinua Achebe’s ‘Things Fall Apart’ Chinua Achebe’s ‘Things Fall Apart’ is one of his famous works that describes the tragedy of a man who is unable to adjust to the changes happening in his community.
May 31, · Overall, one of Achebe’s main purposes is to write a tragedy following Aristotle’s definition. According to Aristotle’s definition, “A tragedy is a drama or other work of literature that tells the story of the fall of a person of high status” (Handbook of Literary Terms).
"Chinua Achebe Writing Culture: Representations of Gender and Tradition in Things Fall Apart". Research in African Literatures (2): Saussure, Ferdinand de, Charles Bally, Albert Riedlinger, and Albert Sechehaye.
Things Fall Apart is a novel written by Nigerian author Chinua Achebe. Published in , its story chronicles the pre-colonial life in Nigeria and the arrival of the . Mar 16, · In the book Things Fall Apart by Chinua Achebe, the reader is given a glimpse into the structure of a West African village called Umuofia.
In Umuofia, culture and gender are closely related to . Oct 08, · Achebe’s novel Things Fall Apart deals with the critic of masculinity. According to the oxford dictionary, masculinity is a noun which means possession of the .