What are 4 archetypes on epic of Gilgamesh?
First, Enoch Robinson is, like most of the people of Winesburg, a lonely person. In his case, his loneliness is caused partly by his devotion to art. At twenty-one, he fled Winesburg hoping to find a place where he would fit in better, but he doesn't feel that he belongs in New York City either.
As Anderson says, Enoch "couldn't understand people and he couldn't make people understand him. Another reason that "Loneliness" belongs with this collection of stories is that Enoch, at thirty-six, returned to Winesburg, and the last part of his story is a long explanation to George Willard of his return.
We learn that Enoch deserted his art after a time in the city.
He married, became a voter and a working man; "he got a job in a place where illustrations are made for advertisements," says Anderson, making it sound like something despicable and demeaning.
We are told, "Two children were born to the woman he married," as if Enoch weren't involved. And, indeed, he wasn't really. Enoch was playing a role and he began to feel choked and walled-in by his apartment.
So Enoch left his wife and went back to his rented room. There, however, he met another woman who eventually left him and took all of his imaginary phantoms with her.
So Enoch returned to Winesburg, frustrated and defeated. In this story, Anderson is apparently trying to show us what an artist is like. He describes Enoch as a "boy-man" because Anderson himself was apparently enough of a romantic and Platonist to think that a child is more sensitive and imaginative than an adult.
The woman who drove Enoch back to Winesburg is described as being "too big for the room" and "so grown up. All that is left of Enoch is "a thin old voice" complaining, "It was warm and friendly in my room but now I'm all alone. Take, for example, what seems to be an irrelevant detail-that Enoch was hit by a streetcar and was made lame.
But is such a detail irrelevant, or is Anderson suggesting that industrialization and mechanization is likely to destroy the artist — or at least maim him?
Or consider the fact that Enoch's cheap rented room is "long and narrow like a hallway. As one begins to speculate about Anderson's subtlety, he may remember Enoch's description of one of his paintings: There is something else, something you don't see at all," and as Enoch talks about this painting, one begins to realize that what he put in the picture is less important than what he left out.
Anderson himself cultivated the art of leaving out. In this story we see young George Willard listening eagerly to Enoch Robinson, even urging the old man to continue his story. George's sympathy and interest at this point in the book contrasts with his fear of getting involved with Wing Biddlebaum.
We realize that George is maturing, that he is beginning to follow Kate Swift's advice about finding out what people are thinking about. George is trying to prepare himself to be a writer.The Catcher in the Rye, novel by J.D.
Salinger published in The novel details two days in the life of year-old Holden Caulfield after he has been expelled from prep school. Confused and disillusioned, Holden searches for truth and rails against the “phoniness” of the adult world. Poetry Questions including "What is the context of Wilfred Owen's poem 'Dulce est Decorum est'" and "What effect does iambic pentameter have on a poem".
PART I: An ancient Mariner meeteth three gallants bidden to a wedding feast, and detaineth one. IT is an ancient Mariner: And he stoppeth one of three. 'By thy long beard and glittering eye.
In analyzing the poem, Robert DiYanni notes that the image of a single falling leaf is a common symbol for loneliness, and that this sense of loneliness is enhanced by the structure of the poem. He writes that the fragmentation of the words "illustrates visually the separation that is the primary cause of loneliness".
Need help with Trifles in Susan Glaspell's Trifles? Check out our revolutionary side-by-side summary and analysis. South African poet Sipho Sepamla is well-known for his commentaries on daily life.
His poem, "The Loneliness Beyond" is Sepalma's description of how a person can be alone in a crowd of people, and the entire working class starts to act as cattle.